A Modern Shino Kataguchi Vessel by Suzuki Shu
A decidedly modern and innovative take on the classic Shino trope, this “kataguchi” or one-sided pouring vessel lends an air of depth, contemplation, and brilli
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A decidedly modern and innovative take on the classic Shino trope, this “kataguchi” or one-sided pouring vessel lends an air of depth, contemplation, and brilli
A rare and unusual offering, here we have an exquisite celadon shuhai with Chinese styled patterning lining the inside of the cup. First generation Sozan gained
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters wo
Known for his non-conformist and bold style, Suzuki Goro has outdone himself with this stylized Oribe sake flask (tokkuri). Oribe is a visual style named after
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
Here we see a beautiful example of Korean blue-grey pottery from centuries past. At some point it was brought to Japan, so we can safely assume that it was expr
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natur
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope
One family of artists that has left a lasting mark on not just Kyoto but on the world at large has been the Ōgata family. Prominent among this line - Ōgata Kenz
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sak
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the
In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating
This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extre
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen
Raku tea bowls and other tea-ware implements are shaped by hand, using clay that was prepared often several generations before by a previous Kichizaemon (master
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
This large serving tray by Ōhi Chōzaemon XI (Toshio) brings together the rich glaze tradition of Ōhi ware and a distinctly contemporary sculptural form. Its bro
A rare and interesting offering, here we have an exquisite celadon phoenix vase with Chinese form and patterning. First generation Sozan gained wide acclaim in
A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of th
In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique,
Few contemporary potters have explored Oribe with the originality and energy of Takauchi Shugo. His pieces tend to embody an unmistakable sense of movement and
Price on Request Estimated to be 500-600 years old, this extraordinary work of Bizen pottery would have been fashioned in an “ana-gama” or a rudimentary dugout
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sak
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Kar
A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary serving dish encapsulates the essence of Oribe pottery
Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be famil
This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Co
Displaying a bold Oribe glaze and sweeping comb pattern culminating in a dynamic vortex, this wonderful platter is the result of years of trial and error by one
Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed
Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha f
Here we see a quietly beautiful Korean tea bowl with a rounded, gently tapering form and a tall, dramatically notched foot. A translucent blue-grey glaze covers
An austere masterpiece of functional art — the perfect accompaniment on the journey inward to stillness and contemplation. Crafted by the 9th Ōhi Chōzaimon (190
Price on Request Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 275+ year old c