A Karatsu Tea Bowl by Shibayama Toshiya
Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed
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Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed
Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Gene
An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resi
With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi”
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed
Though rare, occasionally I come white Raku piece by one of our favorite potters, Sugimoto Sadamitsu. Adorned with subtle crackling patterns and variations in t
The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and
When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kag
Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha f
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
Here we see a quietly beautiful Korean tea bowl with a rounded, gently tapering form and a tall, dramatically notched foot. A translucent blue-grey glaze covers
An austere masterpiece of functional art — the perfect accompaniment on the journey inward to stillness and contemplation. Crafted by the 9th Ōhi Chōzaimon (190
Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
Price on Request Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 275+ year old c
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
Price on Request Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Tho
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legen
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan t
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained p
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters. B
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from c
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his so
A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as be
This kutsu-shaped (shoe-shaped) Karatsu tea bow, having stood quietly through the passage of ages is a superb example embodying both the serene beauty and power
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
Raku tea bowls and other tea-ware implements are shaped by hand, using clay that was prepared often several generations before by a previous Kichizaemon (master
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
Here we see a beautiful example of Korean blue-grey pottery from centuries past. At some point it was brought to Japan, so we can safely assume that it was expr
A stunning pair of Wajima-nuri lacquer lidded bowls; each formed with a compact rounded body and fitted cover and with a surface finished in a deep, contemplati
Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Ja
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Price on Request A stunning work of Shino-ware by veteran potter Hayashi Shotaro—winner of numerous awards for his bold and innovative style and widely recogniz
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a patte
Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can inco