An Edo Period Oribe Vase with Stylized Grass Motif
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degr
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the
Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha f
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
Here we see a quietly beautiful Korean tea bowl with a rounded, gently tapering form and a tall, dramatically notched foot. A translucent blue-grey glaze covers
An austere masterpiece of functional art — the perfect accompaniment on the journey inward to stillness and contemplation. Crafted by the 9th Ōhi Chōzaimon (190
Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
Price on Request Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 275+ year old c
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
Price on Request Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Tho
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legen
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to repre
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan t
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained p
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters. B
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from c
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his so
A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as be
This kutsu-shaped (shoe-shaped) Karatsu tea bow, having stood quietly through the passage of ages is a superb example embodying both the serene beauty and power
Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddis
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to co
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sak
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Described on the wood box as a tokkuri (sake flask) with kin-kousai (metallic Iris) glaze, the size and form would allow this piece to function just as well as
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimok
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Kondō Yuzō is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set
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Scrawled across one face of the hand-crafted wood box housing this exquisite sake cup is the word “Prism,” perfectly encapsulating the inspiration for this angu
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If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set
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Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative ima
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Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative ima
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A traditionally crafted Bizen sake cup shaped in the tradition of Oribe. The rich mineral glaze gives this guinomi an almost a metallic look. The craftsman who
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A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was bor
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