A Willow Patterned Black Tea Bowl by Banura Shiro
Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Gene
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Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Gene
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters wo
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Tho
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legen
An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resi
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to repre
With origins stretching back over 1,000 years, Tenmoku pottery is thought to have first found its way to the shores of Japan in the 12th century by monks who br
Known for his non-conformist and bold style, Suzuki Goro has outdone himself with this stylized Oribe sake flask (tokkuri). Oribe is a visual style named after
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi”
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Though rare, occasionally I come white Raku piece by one of our favorite potters, Sugimoto Sadamitsu. Adorned with subtle crackling patterns and variations in t
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained p
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters. B
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from c
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and
When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kag
The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his so
A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as be
This kutsu-shaped (shoe-shaped) Karatsu tea bow, having stood quietly through the passage of ages is a superb example embodying both the serene beauty and power
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery traditio
Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddis
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections a
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Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is
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This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). While most Oribe pieces are adorned with abstract, minimalistic,
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku tem
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Wakao Kei continues to surprise and captivate with this turquoise blue porcelain vase from his recent offerings. Using deep, rich colors not often seen in this
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
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