A Modern Bizen Lidded Jar by Yokoyama Naoki
Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can inco
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Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can inco
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to repre
This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Co
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to co
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery traditio
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating
This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extre
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
This large serving tray by Ōhi Chōzaemon XI (Toshio) brings together the rich glaze tradition of Ōhi ware and a distinctly contemporary sculptural form. Its bro
A rare and interesting offering, here we have an exquisite celadon phoenix vase with Chinese form and patterning. First generation Sozan gained wide acclaim in
A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of th
In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique,
Few contemporary potters have explored Oribe with the originality and energy of Takauchi Shugo. His pieces tend to embody an unmistakable sense of movement and
Price on Request Estimated to be 500-600 years old, this extraordinary work of Bizen pottery would have been fashioned in an “ana-gama” or a rudimentary dugout
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sak
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natur
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Kar
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope
A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary serving dish encapsulates the essence of Oribe pottery
Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be famil
One family of artists that has left a lasting mark on not just Kyoto but on the world at large has been the Ōgata family. Prominent among this line - Ōgata Kenz
Displaying a bold Oribe glaze and sweeping comb pattern culminating in a dynamic vortex, this wonderful platter is the result of years of trial and error by one
During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetr
A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface
As can be seen from the attached images, especially beautiful in natural light; this charming vase features contoured ridges encircling the exterior while rivul
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degr
A decidedly modern and innovative take on the classic Shino trope, this “kataguchi” or one-sided pouring vessel lends an air of depth, contemplation, and brilli
Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen
A rare and unusual offering, here we have an exquisite celadon shuhai with Chinese styled patterning lining the inside of the cup. First generation Sozan gained
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters wo
Known for his non-conformist and bold style, Suzuki Goro has outdone himself with this stylized Oribe sake flask (tokkuri). Oribe is a visual style named after
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant
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According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects
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Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collecto
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This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National
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In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-
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This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, a
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A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a ste
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The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi
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First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
SOLD