A Red Raku Tea Bowl by Famed Potter Ichigen (1662 – 1722)
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
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Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
Raku tea bowls and other tea-ware implements are shaped by hand, using clay that was prepared often several generations before by a previous Kichizaemon (master
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed
Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha f
Here we see a quietly beautiful Korean tea bowl with a rounded, gently tapering form and a tall, dramatically notched foot. A translucent blue-grey glaze covers
An austere masterpiece of functional art — the perfect accompaniment on the journey inward to stillness and contemplation. Crafted by the 9th Ōhi Chōzaimon (190
Price on Request Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 275+ year old c
Price on Request Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by
Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Gene
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Tho
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legen
An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resi
With origins stretching back over 1,000 years, Tenmoku pottery is thought to have first found its way to the shores of Japan in the 12th century by monks who br
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan t
With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi”
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Though rare, occasionally I come white Raku piece by one of our favorite potters, Sugimoto Sadamitsu. Adorned with subtle crackling patterns and variations in t
A stunning pair of Wajima-nuri lacquer lidded bowls; each formed with a compact rounded body and fitted cover and with a surface finished in a deep, contemplati
Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Ja
Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natur
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope
One family of artists that has left a lasting mark on not just Kyoto but on the world at large has been the Ōgata family. Prominent among this line - Ōgata Kenz
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sak
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the
A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating
This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extre
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
This large serving tray by Ōhi Chōzaemon XI (Toshio) brings together the rich glaze tradition of Ōhi ware and a distinctly contemporary sculptural form. Its bro
A rare and interesting offering, here we have an exquisite celadon phoenix vase with Chinese form and patterning. First generation Sozan gained wide acclaim in
A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of th