An Edo Period Takatori Kataguchi Bowl with Warabaiyū Glaze
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
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Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen
A rare and unusual offering, here we have an exquisite celadon shuhai with Chinese styled patterning lining the inside of the cup. First generation Sozan gained
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
Price on Request Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Tho
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legen
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to repre
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan t
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained p
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters. B
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from c
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to co
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is
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One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections a
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This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if
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A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary tea bowl encapsulates the essence of Oribe pottery whil
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku tem
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Wakao Kei continues to surprise and captivate with this turquoise blue porcelain vase from his recent offerings. Using deep, rich colors not often seen in this
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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A master work by one of the top artisans of the late 20th century—the result of techniques perfected over centuries by dedicated craftsmen residing in districts
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Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the inte
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A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces
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Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, N
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This depiction of the eternal “ensō” on a backdrop of pearly white feldspar signifies enlightenment, the eternal, the nothingness, and the freedom of the mind t
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorn
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This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have bee
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Raku glazed ceramic. This well-shaped and firmly grounded tea bowl is the work of Sanyū—Kichizaemon VI of the Raku line of potters. Highly regarded in the tea w
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This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom o
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Glazed stoneware. This tea bowl features intricate design work rarely seen in the bulk of Kanjirō’s pieces—likely indicating his early period. The medallion-lik
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