An Antique Karatsu Amigasa Tea Bowl with Shifuku
Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
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Minimalistic, elegant, and exceptionally light in the hand, this antique Karatsu tea bowl displays an impressive milky ash glaze that descends towards the foot,
Price on Request Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 275+ year old c
Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korea
Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
A rare and unusual offering, here we have an exquisite celadon shuhai with Chinese styled patterning lining the inside of the cup. First generation Sozan gained
We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
Price on Request Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by
Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a patte
Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Gene
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters wo
An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resi
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to repre
With origins stretching back over 1,000 years, Tenmoku pottery is thought to have first found its way to the shores of Japan in the 12th century by monks who br
Known for his non-conformist and bold style, Suzuki Goro has outdone himself with this stylized Oribe sake flask (tokkuri). Oribe is a visual style named after
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
Price on Request Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire/ water/ and air to shape and harden t
One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan t
With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi”
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Though rare, occasionally I come white Raku piece by one of our favorite potters, Sugimoto Sadamitsu. Adorned with subtle crackling patterns and variations in t
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and
When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kag
A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as be
This kutsu-shaped (shoe-shaped) Karatsu tea bow, having stood quietly through the passage of ages is a superb example embodying both the serene beauty and power
This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaz
Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to co
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and sto
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku tem
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Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pa
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This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic de
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Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the inte
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This depiction of the eternal “ensō” on a backdrop of pearly white feldspar signifies enlightenment, the eternal, the nothingness, and the freedom of the mind t
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This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is sa
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A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a p
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