A Magnificent Ryoji Koie Chawan
One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise cannot be confined to one na
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One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise cannot be confined to one na
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Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hag
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Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collecto
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This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National
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Imagine the vista of iconic Mount Fuji as you enjoy a cup of matcha from this very special tea bowl. Endorsed by the tea master of Urasenke as a master work, it
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Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of J
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In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-
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The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and
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This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, a
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This piece was fired in the kilns of one of Kyoto’s most prolific Raku-yaki workshops by an artist known as Heian Shoraku. In 1905, the first generation Shoraku
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A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a ste
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Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that co
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A rare and exquisite piece by the 12th Kichizaemon (1857-1932) of the Raku lineage, now in its 16th generation. Not only with excellent documentation including
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Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequen
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The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi
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A very interesting ceremonial tea bowl produced by one of the oldest generational potting families in Kyoto. In excellent condition with one fine gold repair al
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From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorn
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From a large collection of Edo period Nabeshima and Hirado-ware, this intricately crafted vase features two serpentine dragons intertwined across the face of th
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). While most Oribe pieces are adorned with abstract, minimalistic,
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections a
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku tem
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Wakao Kei continues to surprise and captivate with this turquoise blue porcelain vase from his recent offerings. Using deep, rich colors not often seen in this
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is
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This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have bee
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This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if
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Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze use
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This unique and captivating celadon vase is the work of an early 20th century Korean artist who spent a number of years in Japan honing his craft. Gourd-shaped,
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One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
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This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
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Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pa
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This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic de
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Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the inte
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Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and sto
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This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borr
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A Chinese style celadon incense burner by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first
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A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces
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Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, N
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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This depiction of the eternal “ensō” on a backdrop of pearly white feldspar signifies enlightenment, the eternal, the nothingness, and the freedom of the mind t
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This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is sa
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This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have bee
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A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a p
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A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This p
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