An Iron Chagama Crafted by Living National Treasure Takahashi Keiten
Chagama are traditional Japanese iron kettles used in tea ceremony (chanoyu) for boiling water. Their design tends to reflect the aesthetic principles of wabi-s
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Chagama are traditional Japanese iron kettles used in tea ceremony (chanoyu) for boiling water. Their design tends to reflect the aesthetic principles of wabi-s
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Signed by the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979) this exceptional tea bowl bears the poetic name Asahi or “Morning Sun.” Brilliant o
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Most likely Chinese in origin, this antique celadon tea caddy is a mesmerizing piece of art that exudes elegance and sophistication. Crafted during a time when
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Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
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We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
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Based on telltale signs, this extraordinary Raku tea bowl likely dates to the late Edo period (200+ years old). Crafted with meticulous care, its smooth, ebony
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A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe pieces are the most common with their jet-black glazes
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This lovely Shino tea bowl from the Edo period is fashioned from coarse Mino clay and is covered in feldspar glazing. As with many pieces of this period and sty
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This extraordinary cha-ire (powdered tea container) displays an excellent glaze that appears to have only grown more intricate and rich with time. Contrasting a
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Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of po
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We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here w
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In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportio
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First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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Here we have a very unique ceremonial tea implement made by one of the most important figures from Japanese tea culture in the past century. While most tea scoo
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Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, an
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A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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This iconic tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name "Dewdrop" by a famous tea master of the Omote-senke s
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One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has
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A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
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The poem etched on the side of this exceptional piece reads: 花を待つ人の心や雲となりて山の端ごとに立ちまよふらん The hearts of those waiting for flowers to blossom — have they turned in
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The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
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A stunning work of Shino-ware by veteran potter Hayashi Shotaro—winner of numerous awards for his bold and innovative style and widely recognized as one of the
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One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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An excellent example of Japanese minimalist aesthetic that transcends its humble origins, this mizusashi, or fresh water pot used in tea ceremony, displays a cl
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Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
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The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim
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An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly u
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
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Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant
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Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years.
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At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
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An awe-inspiring masterpiece, this tea bowl by Kakurezaki showcases his unparalleled skill and artistic vision. Crafted with meticulous precision, the bowl seam
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A rather rare motif by a master potter, delicate yet grounded, this white Raku tea bowl is truly one-of-a-kind. Crafted with meticulous attention to detail and
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When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga
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An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and
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A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the las
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Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and
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When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga
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Intricately carved clay adorned with a complex and multi-layer Oribe glaze, this piece is one of the best I have encountered by this talented and multifaceted a
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A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary tea bowl encapsulates the essence of Oribe pottery whil
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A captivating blend of traditional aesthetics and contemporary flair; with exquisite attention to detail, Goro masterfully combines the vibrant green Oribe glaz
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This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the m
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The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi,
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In the world of Japanese ceramics, Tamamizu-ware has almost a mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence
SOLD