[Banana Tree] by Tomita Keisen (1879 – 1936)
Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke ma
Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke ma
A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen
A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer. The craftsman who fashioned this fin
Japanese Nihonga painting on paper—this piece by well-known Edo painter, poet, and tea ceremony devotee Yamamoto Baiitsu depicts an idealized mountain scene in
The Kirin is a hooved mythical chimera-type deity venerated throughout central and east Asia. Most resembling a giraffe, though often depicted with dragon-like
Rengetsu is widely regarded as one of the greatest waka poets of the 19th century. A skilled Shijo School painter, she was also an accomplished calligrapher and
Raku tea bowls and other tea-ware implements are shaped by hand, using clay that was prepared often several generations before by a previous Kichizaemon (master
According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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Done in a style reminiscent of Japanese Mingei art, this striking yet functional folk-craft piece is the creation of Chikuunsai Tanabe III. Made entirely of tra
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportio
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A master work by one of the top artisans of the late 20th century—the result of techniques perfected over centuries by dedicated craftsmen residing in districts
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This iconic tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Dewdrop” by a famous tea master of the Omote-senke s
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One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has
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Sumi on silk. This delicate treatment of a dragonfly alighting on a chrysanthemum is the work of one of Japan’s most celebrated artists of the mid-Edo period. I
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Sumi on silk. A fine example of painting from the Obaku sect of Zen which was brought to Japan in the 17th century from China. This naturalistic theme by Taijou
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Mezzotint on paper. This image was rendered by Saito Kaoru (1931~), an artist known best for his beautiful and sensitive treatments of traditional Japanese femi
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Raku glazed ceramic. This well-shaped and firmly grounded tea bowl is the work of Sanyū—Kichizaemon VI of the Raku line of potters. Highly regarded in the tea w
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