An Exceptional Hagi Tea Bowl with Orchid Glaze
Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that co
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Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that co
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This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bow
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Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the pr
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A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through
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Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran
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We have a particular interest in beautiful Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we se
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Here we have an exceptional Raku tea bowl given the poetic name "Setsu-gekka" (snow, moon, flower) — a phrase often used in Japanese art and literature to evoke
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections a
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorn
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This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if
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Raku glazed ceramic. This well-shaped and firmly grounded tea bowl is the work of Sanyū—Kichizaemon VI of the Raku line of potters. Highly regarded in the tea w
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This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom o
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Glazed stoneware. This tea bowl features intricate design work rarely seen in the bulk of Kanjirō’s pieces—likely indicating his early period. The medallion-lik
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Sumi painting and calligraphy on ceramic. This chawan is light in the hand and contrasts beautifully with a dark rich bowl of matcha. While the poems of many of
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One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
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This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
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A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 2
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Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pa
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This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic de
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Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and sto
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This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borr
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A Chinese style celadon incense burner by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first
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A powerful work of Shino pottery by one of the veterans of Mino ceramics. Vibrant lines of white feldspar contrast sharply with the iron rich clay and glaze to
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is sa
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Here we see a Chinese style celadon floral bowl by one of the 5 Imperial Court Artists of Meiji. The potter, Sozan, spent his life perfecting techniques for cel
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A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a p
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). While most Oribe pieces are adorned with abstract, minimalistic,
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, an
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A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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This iconic tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name "Dewdrop" by a famous tea master of the Omote-senke s
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Signed by the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979) this exceptional tea bowl bears the poetic name Asahi or “Morning Sun.” Brilliant o
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A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
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The poem etched on the side of this exceptional piece reads: 花を待つ人の心や雲となりて山の端ごとに立ちまよふらん The hearts of those waiting for flowers to blossom — have they turned in
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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Most likely Chinese in origin, this antique celadon tea caddy is a mesmerizing piece of art that exudes elegance and sophistication. Crafted during a time when
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Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
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The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-
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Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
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