[Dragonfly] by Itō Jakuchū
Sumi on silk. This delicate treatment of a dragonfly alighting on a chrysanthemum is the work of one of Japan’s most celebrated artists of the mid-Edo period. I
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Sumi on silk. This delicate treatment of a dragonfly alighting on a chrysanthemum is the work of one of Japan’s most celebrated artists of the mid-Edo period. I
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Sumi on silk. A fine example of painting from the Obaku sect of Zen which was brought to Japan in the 17th century from China. This naturalistic theme by Taijou
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Sumi on paper. The artist Kakyo (1844-1928) was the son of the painter Chuuguuji. Kakyo studied both the Tosa and Kano styles and taught at the art school which
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A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This tranquil scene from the Jap
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A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the natura
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A collaboration piece between the famed poet/ nun of the late Edo period Rengetsu and her younger protege Tessai, this scroll depicts a frightened cricket makin
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A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 y
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Sumi on paper. A fine ensō drawn by Reigen Eto, one of the most prominent disciples of Hakuin. It is said that Reigen was known for his delicate brush strokes a
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Sumi and color on paper. This piece depicts the single Chinese character hito (person or individual)in bold and distinctive calligraphic strokes. Signed and sea
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Sumi and color on paper. This hanging scroll by Fukuda Kodojin is a fine example of the Japanese nan-ga style of painting. Compared with other works by Kodojin,
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Sumi and color on paper. This piece by well-known Taisho period artist Tomita Keisen depicts foresters riding log rafts down the Uji-gawa. Keisen was trained in
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Sumi on paper. This impressive Zen painting by Gentō Sokuchū features the Chinese character michi (path) in masterfully rendered calligraphic strokes. As the 11
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This piece by Ōtagaki Rengetsu contains a unique woodblock print technique that utilizes gofun, a ground oyster shell treatment. As a result, the forest sprites
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