A Large Blue/ Green Oribe Platter by Tamaoki Yasuo (b. 1941)
A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
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A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of th
In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique,
A decidedly modern and innovative take on the classic Shino trope, this “kataguchi” or one-sided pouring vessel lends an air of depth, contemplation, and brilli
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the
A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
A Chinese style celadon vase by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in th
This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen
A rare and interesting offering, here we have an exquisite celadon phoenix vase with Chinese form and patterning. First generation Sozan gained wide acclaim in
The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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The poem etched on the side of this exceptional piece reads: 花を待つ人の心や雲となりて山の端ごとに立ちまよふらん The hearts of those waiting for flowers to blossom — have they turned in
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One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-
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Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
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Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
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Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant
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Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years.
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At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
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A master work by one of the top artisans of the late 20th century—the result of techniques perfected over centuries by dedicated craftsmen residing in districts
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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