Hagi “Kujaku” Tea Bowl with Wari-kodai by Yamane Seigen
Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hag
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Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hag
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Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative ima
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Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative ima
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Imagine the vista of iconic Mount Fuji as you enjoy a cup of matcha from this very special tea bowl. Endorsed by the tea master of Urasenke as a master work, it
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Closely resembling a historically important tea bowl made by one of the forebears of the art of tea and Raku pottery, Chojiro, this piece gives one a sense of t
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Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of J
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The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and
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Described on the wood box as a tokkuri (sake flask) with kin-kousai (metallic Iris) glaze, the size and form would allow this piece to function just as well as
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A traditionally crafted Bizen sake cup shaped in the tradition of Oribe. The rich mineral glaze gives this guinomi an almost a metallic look. The craftsman who
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A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was bor
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This piece was fired in the kilns of one of Kyoto’s most prolific Raku-yaki workshops by an artist known as Heian Shoraku. In 1905, the first generation Shoraku
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Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where ma
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Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that co
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From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of
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This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bow
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Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the pr
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A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through
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Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran
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We have a particular interest in beautiful Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we se
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Here we have an exceptional Raku tea bowl given the poetic name "Setsu-gekka" (snow, moon, flower) — a phrase often used in Japanese art and literature to evoke
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This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, an
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A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominenc
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This iconic tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name "Dewdrop" by a famous tea master of the Omote-senke s
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Signed by the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979) this exceptional tea bowl bears the poetic name Asahi or “Morning Sun.” Brilliant o
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Guardian lions (alternately known as Shishi, Foo-dogs, or Koma-inu) were introduced to Japan in the 8th century and are often seen outside shrine gates or adorn
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A beautiful example of a Hakeme style bowl, this one quite rare as it was made around 200 years ago by the son of the founder of the Dohachi line of potters. Tr
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Raku glazed ceramic. This well-shaped and firmly grounded tea bowl is the work of Sanyū—Kichizaemon VI of the Raku line of potters. Highly regarded in the tea w
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This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom o
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Glazed stoneware. This tea bowl features intricate design work rarely seen in the bulk of Kanjirō’s pieces—likely indicating his early period. The medallion-lik
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Sumi painting and calligraphy on ceramic. This chawan is light in the hand and contrasts beautifully with a dark rich bowl of matcha. While the poems of many of
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The poem etched on the side of this exceptional piece reads: 花を待つ人の心や雲となりて山の端ごとに立ちまよふらん The hearts of those waiting for flowers to blossom — have they turned in
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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Most likely Chinese in origin, this antique celadon tea caddy is a mesmerizing piece of art that exudes elegance and sophistication. Crafted during a time when
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Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
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The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-
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Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
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Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bow
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Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant
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Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years.
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At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
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During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimok
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