A Ridged Bizen Vase - Isezaki Kōichirō (b. 1974)
First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of
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From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the f
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From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the f
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From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of
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A second generation basket weaver from Beppu, Hakuun-sai (1918 - 2012) was known for producing high-quality bamboo and rattan pieces such as the one seen here.
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Flower arranging is one of the great arts that Japan has managed to take to ever greater heights of refinement over its long history. Here we have a classic exa
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Done in a style reminiscent of Japanese Mingei art, this striking yet functional folk-craft piece is the creation of Chikuunsai Tanabe III. Made entirely of tra
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and sto
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A powerful work of Shino pottery by one of the veterans of Mino ceramics. Vibrant lines of white feldspar contrast sharply with the iron rich clay and glaze to
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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Rengetsu is a unique and celebrated figure from Japanese 19th century history. Despite her reported great beauty and talent for the arts, she faced many persona
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One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections a
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An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku tem
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This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
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Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is
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One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine
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This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this e
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A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 2
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Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pa
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This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic de
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Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the inte
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This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taishō ceramic artist Suwa Sozan I. With a design borr
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A Chinese style celadon incense burner by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first
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Here we see a Chinese style celadon floral bowl by one of the 5 Imperial Court Artists of Meiji. The potter, Sozan, spent his life perfecting techniques for cel
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A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a p
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Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). While most Oribe pieces are adorned with abstract, minimalistic,
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A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventi
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Glazed stoneware. This tea bowl features intricate design work rarely seen in the bulk of Kanjirō’s pieces—likely indicating his early period. The medallion-lik
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Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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One of the most extraordinary gold repairs I have seen on a tea bowl in my nearly 30 years in Japan. If you search far and wide occasionally you can find maki-e
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.
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Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant
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Kondō Yuzō is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blu
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This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the m
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According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects
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Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece sho
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Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collecto
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This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National
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In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-
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This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, a
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A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a ste
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The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi
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Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
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First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel.
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One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market thes
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The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of
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If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sak
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