An Excellent Edo Period Korean “Ido” Tea Bowl — Collector Piece
A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
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A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richō in Japanese; 1392-1897). This particular piece appears to be from the 17th or 1
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rip
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
On the base of this tea bowl are the characters “供御” pronounced “Ku-go” in Japanese but “Gong-yu” in the original Chinese—translating in English to something li
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained p
At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighbori
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters. B
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from c
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows n
The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history
Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his so
A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as be
This kutsu-shaped (shoe-shaped) Karatsu tea bow, having stood quietly through the passage of ages is a superb example embodying both the serene beauty and power
Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular
A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddis
This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaz
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extre
This large serving tray by Ōhi Chōzaemon XI (Toshio) brings together the rich glaze tradition of Ōhi ware and a distinctly contemporary sculptural form. Its bro
A stunning example of blue/ green Oribe-ware by one of the veterans of Mino ceramics, this platter displays astounding variation in color and texture with deep
Few contemporary potters have explored Oribe with the originality and energy of Takauchi Shugo. His pieces tend to embody an unmistakable sense of movement and
A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary serving dish encapsulates the essence of Oribe pottery
Displaying a bold Oribe glaze and sweeping comb pattern culminating in a dynamic vortex, this wonderful platter is the result of years of trial and error by one
Exquisitely painted willow branches (yanagi) on a background of jet-black traditional lacquer; this exquisite functional art object appeals not only to practiti
A decidedly modern and innovative take on the classic Shino trope, this “kataguchi” or one-sided pouring vessel lends an air of depth, contemplation, and brilli
First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowl
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to co
Known for his non-conformist and bold style, Suzuki Goro has outdone himself with this stylized Oribe sake flask (tokkuri). Oribe is a visual style named after
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and
This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters wo
Here we see a beautiful example of Korean blue-grey pottery from centuries past. At some point it was brought to Japan, so we can safely assume that it was expr
Estimated to be 500-600 years old, this extraordinary work of Bizen pottery would have been fashioned in an “ana-gama” or a rudimentary dugout kiln often placed
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Kar
This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Co
One family of artists that has left a lasting mark on not just Kyoto but on the world at large has been the Ōgata family. Prominent among this line - Ōgata Kenz
Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer. The craftsman, Wakashima Takao (b. 1
Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen
A rare and unusual offering, here we have an exquisite celadon shuhai with Chinese styled patterning lining the inside of the cup. First generation Sozan gained
During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistr
The perfect vessel for enjoying fine Japanese sake or whatever spirit fits the mood. Over 425 years old, this excavated and wonderfully restored sake cup is one
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery traditio
With awards too numerous to mention, Yanagihara (b. 1934) is still producing masterpieces into his 9th decade. The piece seen here is from a series he did in th
Wakao Kei continues to surprise and captivate with this turquoise blue porcelain vase from his recent offerings. Using deep, rich colors not often seen in this
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According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering
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A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces
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Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, N
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A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This p
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First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely sol
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